Eamon Colman's abstract paintings are based upon walks around the River Nore in Kilkenny.

Initially, they do not appear to support this source, as muted tones are replaced by an exclusively vibrant palette, suggestive of hotter climes.

Structurally, these are busy paintings, utilising a wide variety of geometric shapes, linear forms and replicated motifs - all assembled effortlessly into a composite whole.

These are rendered using expressive calligraphic flourishes, which illustrate a spontaneous working process in which the artist relies heavily upon instinct and intuition.

But all is not bold painterly statements, as subtle stains and mottled textures lend further dimension to the surface, as do the instances of collaged fragments of canvas and paper. All these elements are edited and manipulated through an evolving, organic approach to composition.

While the colour range is rooted for the most part in the warm hues of yellow and orange, there are some striking relationships. Quite often, segments of black paint threaten to disturb this harmonious balance - but Colman has expertly controlled its influence, allowing it to act as peripheral menace to the deceptive stability of these works.

Ultimately, what makes these paintings so successful is the living presence within them. The forms are suggestive, without being referential. From this develops the sense that each painting has its own character and personality, and is far removed from the sometimes austere purism found within abstraction.

Exhibition closed