The Shallows review: a daft but entertaining shark thriller

Blake Lively pits her wits against a Great White with a grudge in this daft but enjoyable summer popcorn thriller

Hard to eat: Blake Lively hangs on in The Shallows. Photograph: Sony Pictures
Hard to eat: Blake Lively hangs on in The Shallows. Photograph: Sony Pictures
The Shallows
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Director: Jaume Collet-Serra
Cert: 12A
Genre: Thriller
Starring: Blake Lively
Running Time: 1 hr 23 mins

Who is smarter: Blake Lively or a fish? We’re only being a tiny bit facetious: that’s the sky-high concept at the heart of this reasonably entertaining, imprudently daft aquatic thriller.

Thus, med-school dropout Nancy (Lively) makes her way to a remote Mexican beach to catch some waves and retrace the steps of her late mother.

There follows various shots of Lively’s shapely bronzed bits – you really ought to up the factor, girl – and a video-call back home, one of many ill-advised sequences that attempts to make text messages and modern communications look cinematic.

Nancy returns to the water and is attacked by a Great White Shark. She finds refuge on the blubbery carcass of a Humpback Whale, and then a reef, which is Soon To Be Submerged, but the marine monster just keeps going around and around.

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Hollywood hasn't made great use of Blake Lively since her Gossip Girl days. Too often she has been ill-served by such unlovely projects as Green Lantern and Savages. Classy studio scream queen seems like a much better option and, sure enough, Lively works hard against a screenplay that, by its nature, requires her to narrate what she is doing, you know, for properly dumb viewers.

But which Jaume Collet-Serra is presiding? To date, the director has made one modern horror classic (Orphan), three mid-ranking Liam Neeson chase-abouts (Run All Night, Unknown, Non-Stop) and a couple of genuine stinkers (House of Wax, Goal 2).

The Shallows is neither his finest nor his worst hour. The film passes the time agreeably, but is seldom as nail-biting as we might reasonably expect from a lean genre exercise featuring a circling dorsal fin. DOP Flavio Labiano’s cinematography makes azure use of Lord Howe Island, the Australian World Heritage Site where the film was shot. The injured seagull sidekick (picture a cawing Wilson the volleyball) is a neat touch.

Other aspects are less neat: the CG jellyfish make one think of 8-bit Supermario, while the shark's abilities are as inconsistent as its grudge against Lively is dogged and pronounced. Must be a Pretty Little Liars fan.

 
- The Shallows is in cinemas from August 10th

Tara Brady

Tara Brady

Tara Brady, a contributor to The Irish Times, is a writer and film critic