What do you see?

Ahead of the Jameson Dublin International Film Festival 2013, TARA BRADY reveals the Ticket’s top 10 picks for the fest – and…

Ahead of the Jameson Dublin International Film Festival 2013, TARA BRADYreveals the Ticket's top 10 picks for the fest – and offers a three-a-day movie guide

OK, NOW that you’ve finished gasping over this year’s starry contingent of festival guests – Danny De Vito, Joss Whedon, Frank Langella, Robert Towne, Jem Cohen, Costa-Gavras – we’ve only gone and made you this extra special cut-out-and-keep diary planner to this year’s very best JDIFF titles to really whet your appetite.

Set your dial to jdiff.comfor the complete programme and booking options. And try not to miss any of our official Ticket top 10 picks.

GANGS OF WASSEYPUR, PARTS 1 2

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Picture The Godfather saga refashioned as a Bollywood musical but with more explosions and prison breaks and sex addiction. Expect swearing and butchering throughout the epic, 318-minute extravaganza.

WEST OF MEMPHIS

Even if you’ve seen all three parts of the similarly themed Paradise Lost, Deliver Us From Evil director Amy Berg’s chilling portrait of the West Memphis Three case makes for white-knuckle storytelling.

SHORT STORIES

A rejected manuscript influences the lives of all who touch it in Mikhail Segal’s surreal, stately, socially conscious anthology.

WHITE TIGER

A ghostly German tank channels Moby Dick – a Great White Panzerkampfwagen – in Karen Shakhnazarov’s enigmatic, strikingly original second World War drama.

CALL GIRL

A troubled youngster is recruited into a prostitution ring in this compelling Swedish thriller inspired by a real-life 1970s political scandal.

The King of Pigs

Yeun Sang-ho’s startling Korean anime flashes back from recessionary hardships to an even more traumatic past. Schoolyard bullies reign in a film that could easily be OldBoy Jr.

POST TENEBRAS LUX

Does this schoolboy rugby match have anything to do with that glowing demon?

You can stand there arguing with Carlos Reygadas’s obtuse, bizarre, maddening fourth feature or you can stand back and marvel at one of cinema’s greatest opening scenes.

BLANCANIEVES

Pablo Berger’s modern, silent melodrama re-imagines Snow White as a feminist heroine against Expressionist shapes and Buñuelian compositions. A classier, more cine-literate companion for The Artist.

WHITE ELEPHANT

Pablo Trapero regulars Ricardo Darín and Martina Gusman reunite for a thriller about two priests working to bring food, medicine and education to a Buenos Aires slum caught in the crossfire of a drug war.

THE GATEKEEPERS

Documentarian Dror Moreh interviews all

six former heads of Shin Bet, the Israeli internal security service, in this revealing, award-winning chronicle of frontlines and ruthless tactics.

FRIDAY, FEB 15

Manhunt

Cineworld 11, 8.45pm

Night of Silence

Light House 3, 8.30pm

With You, Without You

Light House 1, 8.45pm

SATURDAY, FEB 16

Gangs of Wasseypur, Pt 1

Cineworld 8, 10.30am

Blancanieves

Savoy 1, 11am

Clip

Light House 3, 6pm

SUNDAY, FEB 17

The Gatekeepers

Light House 1, 6.10pm

White Tiger

Cineworld 8, 6.15pm

Spies

Light House 1, 8.20pm

MONDAY, FEB 18

The King of Pigs

Cineworld 9, 9pm

Pieta

Light House 1, 6.10pm

Far Out Isn’t Far Enough: The Tomi Ungerer Story

Light House 2, 6.15pm

TUESDAY, FEB 19TH

Piazza Fontana: The Italian Conspiracy

Cineworld 8, 3.30pm

Vanishing Waves

Light House 2, 8.25pm

Pablo

Light House 2, 6.05pm

WEDNESDAY, FEB 20TH

80 Million

Cineworld 8, 8.45pm

Post Tenebras Lux

Cineworld 9, 3.45pm

After Lucia

Cineworld 8, 4.00pm

THURSDAY, FEB 20TH

Call Girl

Light House 1, 8.20pm

An Oversimplification of Her Beauty

Light House 2, 8.40pm

Populaire

Cineworld 9, 8.30pm

FRIDAY, FEB 21ST

Short Stories

Light House 3, 6.15pm

West of Memphis

Cineworld 11, 6pm

Beyond the Hill

Cineworld 8, 8pm