Mary McIntyre

Though technically excellent, and consistent in their purpose, Mary McIntyre's large Cibachromes may well have run their course…

Though technically excellent, and consistent in their purpose, Mary McIntyre's large Cibachromes may well have run their course. The current photographic blow up, mounted on a light box in a darkened space, is of one sector of the elliptical table used by Ards District Council.

Its surface is burnished, its legs armorial, and even its black plastic ashtrays boast the heritage touch. Behind, against a background of lush velvet curtain, are ranged left and right - with a grander one central - the empty chairs, their blue leather backs reflecting, rather like switched off computer monitors, on the table's surface. The carpet is standard public place issue. Light falls from the window, right, past the fire extinguisher.

Thus, the artist asks us to consider what she knowingly suggests is the contrast between the intellectual weight of matters to be debated in such a local council chamber with the purchased pretension of the setting. On the way out from the black box presentation, we face a smaller print showing the exit door and an empty hat-stand alluding, satirically, as with the blank "screens", to empty heads? Point made cheekily enough, but profound this isn't.

Runs until Sunday.