The surprise, or novelty if you like, in this group exhibition is the presence of a work by the international figure Gerhard Richter, a typical if not outstanding piece on perspex. Otherwise, the strongest personality on view is Elizabeth Magill, both in her large scenic (or mock-scenic) picture on the end-wall, and in her small, ultra-painterly works on the lower level of the gallery.

Kathy Prendergast faintly baffles me by showing a shelf with a row of small jars, which is stretching the terms of the exhibition rather a lot. There is a large, dour, yet attention-demanding cibachrome by Willie Doherty, and an interesting, vertical-format painting by Deirdre O'Mahony. Donald Urquhart's two works entitled Dark Idyll at first suggest a kind of dense, decorative abstraction but turn out to be based on densely woven tree forms. I enjoyed Siobhan Hapaska's Stray, which runs along a small railtrack and actually includes a piece of real American tumbleweed. It adds to the variety of an exhibition which already has plenty of that.

Closes tomorrow.