Io Capitano review: A swashbuckling, award-winning portrayal of the European migrant crisis
Matteo Garrone’s follow-up to the exquisite Pinocchio is based on real-life testimonies and dramatised with youthful verve
Matteo Garrone’s follow-up to the exquisite Pinocchio is based on real-life testimonies and dramatised with youthful verve
Oscar-nominated director Matteo Garrone says that at all times on set for this film he had someone present who had lived through torture in Libya or had made it through the Sahara
Matteo Garrone sets a challenge for Guillermo del Toro’s ‘darker’ stop-motion take
Nora Twomey’s ‘The Breadwinner’ misses out on animated feature gong in Seville
Film-makers Fabio Grassadonia and Antonio Piazza on mixing true life crime with fantasy
Asia Argento stuns audience with Weinstein allegation: ‘festival was his hunting ground’
Cannes daily: on the last day of the festival, some inaccurate predictions and Terry Gilliam’s long-cherished project disappoints
There was plenty of Hollywood bling – and anger – at this year’s festival but new movies from Hirokazu Kore-eda and Ryusuke Hamaguchi were quieter highlights
Despite a dispute with Netflix and films not being ready in time, the competition is one of the funkiest, least creaky in years
The official selection has been revealed for the 71st Cannes film festival which opens next month
Crosswords & puzzles to keep you challenged and entertained
Full general election coverage including analysis and results for all 43 constituencies
How does a post-Brexit world shape the identity and relationship of these islands
Weddings, Births, Deaths and other family notices