Cineworld Dublin losses widen as troubled parent group’s future remains unclear

Auditors decline to express opinion on 2021 financial statements filed by Adelphi-Carlton Limited, the company behind the Parnell Street multiplex

Daniel Craig and Ana de Armas in No Time to Die, the Irish box office leader in 2021. Photograph: MGM
Daniel Craig and Ana de Armas in No Time to Die, the Irish box office leader in 2021. Photograph: MGM

After-tax losses at pandemic-struck Cineworld Dublin widened to €2.67 million in 2021, with the auditors of the company behind the multiplex cinema on Parnell Street saying they were unable to express an opinion on its financial statements due to “material uncertainties” at its parent group.

Cineworld, the world’s second-biggest cinema chain, filed for Chapter 11 bankruptcy protection in the US last September.

In accounts just filed at the Companies Office for Adelphi-Carlton Limited, the company behind the sole Cineworld in the Republic, the directors state its net liabilities had swelled to almost €12.3 million as of the end of 2021, up from €9.6 million a year earlier, and that the results for 2022 “have not shown significant improvements”.

While the performance of the 17-screen cinema is expected to gradually return to pre-pandemic levels, “this is anticipated to take a number of years”, with monthly cash flows not expected to return to pre-Covid levels until 2024.

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The company expects to be cash negative in the next three reporting periods and “is therefore reliant on financial and other support from its ultimate parent entity Cineworld Group plc in order to meet its obligations”.

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The accounts were prepared on a going concern basis, in line with the relevant accounting standards, the directors said. But they added that they recognised that the “uncertainties” surrounding its parent group “may cast significant doubt on the company’s ability to continue as a going concern and therefore that the company may be unable to realise its assets and discharge its liabilities in the normal course of business.”

The company’s auditing firm, PwC, said it had been “unable to form a conclusion on the appropriateness of the going concern basis of preparation of the financial statements” due to the ongoing US bankruptcy proceedings as well as legal fallout in Canada from Cineworld’s scrapped acquisition of Toronto-headquartered Cineplex.

Although Adelphi-Carlton Limited swung from an operating loss of about €945,000 in 2020 to an operating profit of almost €692,000 in 2021 and its pretax losses also narrowed, higher finance costs meant its net loss of €2.67 million deepened from a figure of €2.42 million the previous year.

The company’s revenue in 2021, when the site was open from mid-June onwards subject to restrictions, climbed to €3.8 million. This was up 72 per cent from revenue of €2.2 million in 2020, when it was closed for the majority of the year, but is still way down on the €10.7 million recorded in 2019.

Ticket sales accounted for €2.8 million of the 2021 total, up from €1.5 million, in a year when the Irish box office was led by the much-delayed release of the latest James Bond film, No Time to Die, followed by Spider-Man: No Way Home. Food and drink sales generated most of the rest of its turnover.

Cineworld Group indicated last month that it was seeking out prospective buyers for all of its assets, warning shareholders that there was “no guarantee of any recovery” in their financial interests as a result of its restructuring.

Laura Slattery

Laura Slattery

Laura Slattery is an Irish Times journalist writing about media, advertising and other business topics