Niamh Browne

Niamh Browne

Bambie Thug at the Academy: Corkonian’s crowd sorcery and eerie unholiness is chaotic but coherent

The artist’s neopagan ‘ouija pop’ has a universal appeal in spite of being niche

Breaking: Two characters, four actors and a rotating series of scenes, emotions and meanings

Dublin Theatre Festival 2024: In Amy Kidd’s play, actors of different genders, races, backgrounds and accents portray the same unhappy couple