Bambie Thug at the Academy: Corkonian’s crowd sorcery and eerie unholiness is chaotic but coherentThe artist’s neopagan ‘ouija pop’ has a universal appeal in spite of being nicheMon Oct 28 2024 - 10:37
Breaking: Two characters, four actors and a rotating series of scenes, emotions and meaningsDublin Theatre Festival 2024: In Amy Kidd’s play, actors of different genders, races, backgrounds and accents portray the same unhappy coupleFri Oct 04 2024 - 11:40
