Cannes First Look review: Lola Petticrew shines in I See Buildings Fall Like Lightning’s Irish line-up
By Tara Brady
Cannes First Look review: Minotaur – grim chronicle of a selfish, privileged class willing to look the other way
By Tara Brady
Cannes First Look review: Fjord - Nail-biting drama exploring European culture and tolerance
By Tara Brady
Cannes First Look review: Paper Tiger – Gangsters and fixers in grimy 1980s New York
By Tara Brady
Cannes First Look review: Bitter Christmas - You’ll wonder if Almodóvar is phoning it in
By Tara Brady
Tom & Jerry: Forbidden Compass review – Cartoon duo become supporting players in their own film
By Tara Brady
Cannes First Look review: Tin Castle paints a touching, confounding portrait of an Irish Traveller family
Cannes First Look review: Jim Queen – This gay-influencer animated comedy is gleefully smutty
By Tara Brady
Cannes First Look review: Hope – Na Hong-jin’s sci-fi horror has an astonishing opening hour
By Tara Brady
Cannes First Look review: The Unknown – Léa Seydoux stars in Arthur Harari’s body-swap horror
By Tara Brady
The Mysterious Gaze of the Flamingo review: Sexual desire becomes contagion and curse in haunting debut
By Tara Brady
First Look review: Barry Keoghan gives a tense, psychologically uneasy performance in Butterfly Jam
Once We Were Punks review: If you’re over a certain age, this is a moving Irish music documentary
Cannes First Look review: The Electric Kiss – Pierre Salvadori’s lovely film has fun untying a romantic knot
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