Beauty and the Beast, Aladdin, Moulin Rouge!: Our critics’ verdicts on the pantos and shows to catch this Christmas

Moulin Rouge, The Snow Queen and A Christmas Carol are among the highlights over the festive period

Joe Conlan as Nana Potts in Beauty and the Beast, at the Gaiety Theatre, Dublin, until January 18th
Joe Conlan as Nana Potts in Beauty and the Beast, at the Gaiety Theatre, Dublin, until January 18th

There is plenty happening on the live entertainment front in the coming weeks to amuse everyone – young and old. While shows and pantos are always popular, you might get lucky and cadge last-minute tickets for that perfect holiday treat. If you’re not sure what to choose, fear not, our critics went along to the following headline shows, and these are our verdicts:

Beauty and the Beast

Gaiety Theatre, Dublin, until Sunday, January 18th

Darryn Crosbie’s annual spectacular is a pantofied version of Disney’s Beauty and the Beast, with selected songs from Howard Ashman and Alan Menken’s original film score fleshed out with contemporary pop numbers.

Susan McFadden in The Snow Queen at the Helix Theatre
Susan McFadden in The Snow Queen at the Helix Theatre

The Snow Queen

Helix, Dublin, until Sunday, January 11th

The Theatreworx panto never veers far from the traditional form, and yet, with its well-honed script, it manages to never be formulaic, offering the most fun panto experience in Dublin year on year.

How to catch a Star, Branar’s adaptation of Oliver Jeffers’s children’s book. Photograph:  Anita Murphy
How to catch a Star, Branar’s adaptation of Oliver Jeffers’s children’s book. Photograph: Anita Murphy

How to Catch a Star

Ark Cultural Centre for Children, Temple Bar, Dublin, until December 30th

Branar’s seasoned adaptation of Oliver Jeffers’s beautiful children’s book, is about a star-obsessed boy who is determined to catch one of his own through any means necessary.

Issy Khogali as Princess Jasmine in Aladdin at Cork Opera House
Issy Khogali as Princess Jasmine in Aladdin at Cork Opera House

Aladdin

Cork Opera House, Cork, until January 18th

With enough dry ice to melt a glacier, this year’s Cork Opera House pantomime creates an appropriately mysterious, magical atmosphere of joyous expectation. It lifts all the high points from the ancient Aladdin fable, allowing “tweaks” to knit the plot into the coherence of a familiar locality.

Wren Dennehy and Lloyd Hutchinson in A Christmas Carol at the Gate Theatre. Photograph: Ros Kavanagh
Wren Dennehy and Lloyd Hutchinson in A Christmas Carol at the Gate Theatre. Photograph: Ros Kavanagh

A Christmas Carol

Gate Theatre, Dublin, until January 18th

Claire O’Reilly’s lovely, deeply spooky production for the Gate, working from a robust adaptation by Neil Bartlett, confirms (as if confirmation were required) that the fable still has traction after 180 years. The imaginative staging, however, works new magic from that familiar material.

Moulin Rouge runs at the Bord Gáis Energy Theatre, Dublin, until Saturday, January 10th
Moulin Rouge runs at the Bord Gáis Energy Theatre, Dublin, until Saturday, January 10th

Moulin Rouge!

Bord Gáis Energy Theatre, Dublin, until Saturday, January 10th

There’s more than a touch of pantomime to the theatrical composition of Moulin Rouge! The setting of late-19th-century Paris is as romantic as that of any fairy tale, the story borrows from familiar source material and Justin Levine’s mind-boggling score shifts restlessly between contemporary pop and rock classics. Make no mistake, though: this is a thoroughly adult affair.

Maeve Fitzgerald as Gretta Conroy and Jonathan Forbes as Gabriel Conroy in James Joyce’s The Dead, at MoLI on St Stephen’s Green, Dublin, until February 1st. Photograph: Patrick Redmond
Maeve Fitzgerald as Gretta Conroy and Jonathan Forbes as Gabriel Conroy in James Joyce’s The Dead, at MoLI on St Stephen’s Green, Dublin, until February 1st. Photograph: Patrick Redmond

The Dead

Museum of Literature Ireland, Dublin, until Sunday, February 1st

This perfect story finds a wonderfully playful and resonant expression in one of the city’s great literary sites. It’s a production that honours Joyce without embalming him, letting his world breathe again. A must-see Christmas gem (if you’re lucky enough to get a ticket).

Dublin Gothic, written by Barbara Bergin and directed by Caroline Byrne, is at the Abbey Theatre until Saturday, January 31st. Photograph: Ros Kavanagh
Dublin Gothic, written by Barbara Bergin and directed by Caroline Byrne, is at the Abbey Theatre until Saturday, January 31st. Photograph: Ros Kavanagh

Dublin Gothic

The Abbey Theatre, until Saturday, January 31st

Barbara Bergin’s new play is rooted in one place, yet covers an extraordinary amount of ground. Set in and around a tenement in a reimagined version of the “north city innards”, Dublin Gothic features more than 100 characters, performed by a cast of 19, over the course of three-and-a-half hours (with two intervals).