Stage Reviews
Peter Pan review: Gaiety panto takes off with dizzying ensemble numbers and breathtaking effects
Theatre: The annual extravaganza, written, choreographed and directed by Daryn Crosbie, features terrific performances from the Billie Barry Kids
The Dead review: James Joyce’s tragicomedy wraps around the audience in a hugely engaging, immensely accomplished evening
Theatre: Marty Rea and Maeve Fitzgerald star as Gabriel and Gretta Conroy in Louise Lowe’s promenade staging of the beloved Dubliners story
Rapunzel at the Helix, Dublin, review: strong storytelling and effortless inclusivity
Theatre: There are no special effects, no grand coup-du-theatre, but there are oodles of old-fashioned charm
Suspect Device: The poignant story of Irish trans bus driver Wilma Creith
Theatre: Staged in a vintage Ulsterbus, Raphaël Amahl Khouri’s high-concept play chronicles Creith’s difficult transition as she found her true self
Everything Falls review: Family care presented as a wearying, compassionate dance
Theatre: Shaun Dunne and Brokentalkers’ collaboration portrays the challenges of looking after a partner with a long-term illness
Sugar review: Amiable amble through a factory worker’s life could do with more theatrical spice
Michael Patric’s play misses the opportunity to pull the drama of the end of Ireland’s sugar industry into the story of its craic-loving factory worker
The Borrowers review: Gate’s Irish-set adaptation is solid good fun for the whole family
Mary Norton’s story will entertain children while adults can convince themselves of its literary status
Mother Courage and Her Children review: A darkly comic road trip through a Europe at war
Theatre: Sandra O Malley delivers a career-defining performance in Blue Raincoat’s meticulous production of Bertolt Brecht’s 1941 play
The Cure and After Luke: Cónal Creedon double bill shows this writer’s gift for bringing light into dark places
Theatre: Al Dalton directs Ciaran Bermingham in The Cure. Leon Danza directs Niall Holland, Simon McKeon and Mike O’Dowd in After Luke
Le Convenienze ed Inconvenienze Teatrali at Wexford Festival Opera 2024: A feast of feuds, rivalries and enmities
Paolo Bordogna nails the role of Mamma Agata, the manipulative helicopter mother in Donizetti’s drama of backstage power struggles
The Tragedy of Richard III: Editing Shakespeare’s crude portrait of the disabled royal
Belfast International Arts Festival 2024: Oisín Kearney and Michael Patrick’s inventive staging exposes some of the play’s bile
The Critic at Wexford Festival Opera 2024: Outstanding Charles Villiers Stanford revival doesn’t miss a trick
Conor Hanratty’s production treats the composer with all the loving care that he himself had first bestowed on Richard Brinsley Sheridan’s play
Le Maschere at Wexford Festival Opera 2024: Brave effort to animate Mascagni’s hugely problematic work doesn’t really come off
Italian operagoers were unimpressed when Le Maschere premiered in 1901. It remains textually and musically verbose with little grip of character or plot
Murmur: The young audience gasp and laugh, mesmerised by this playful, inventive performance
Dublin Theatre Festival 2024: Camiel Corneille weaves together sound and movement as he builds physical characters and imaginary worlds
Content: Hate speech, revenge porn and an exploding dog – A gripping portrayal of the human cost of sanitising social media
Dublin Theatre Festival 2024: Ross Dungan’s darkly comic play blends live illustration and multimedia with the theatrical to explore the disturbing world of content moderation
Global Desires: Flashes of brilliance, but this performance art leaves a sense of disruption and discomfort
Dublin Theatre Festival 2024: Outlandish Theatre’s nine performers explore what happens when desire rubs up against an unpleasant reality
The Jesus Trilogy: Beautifully textured adaptation captures all the sadness and mystery of JM Coetzee’s novels
Dublin Theatre Festival 2024: Annabelle Comyn’s evocative production, featuring Fergal McElherron and Elaine O’Dwyer, makes clever, convincing choices
Find Your Eyes: ‘Oh Lord, will it be like this all the way through?’ we ask at first. But this tricky piece rewards surrender
Dublin Theatre Festival 2024: In this unclassifiable performance piece, Benji Reid creates a seductive amalgam of theatre, choreography and photography
Freefalling: A wild, extraordinary story that you couldn’t make up
Dublin Theatre Festival 2024: Georgina Miller’s account of her recent life mixes daredevil adrenaline with humour and a lightness of touch
Safe House: Enda Walsh’s new work is an oppressively desolate song cycle
Dublin Theatre Festival 2024: Kate Gilmore is impressive as a vulnerable young woman, but parts of the staging overwhelm her character
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