Stage Reviews
Accents review: The late Eoin French’s remarkable music accompanies Emmet Kirwan’s fatherhood search
The musician’s death adds a layer of grief to this autobiographical drama, in which Kirwan is an expectant father exploring what it means to be a parent
Madeira: Secrets of Sisters review – Four siblings, three actors and a tale that penetrates emotional barriers
Theatre: Two pairs of sisters visited by a moment of reflective clarity gain a new understanding of family
Paddy: The Life & Times of Paddy Armstrong review – Don Wycherley is incandescent in this journey from disaster to redemption
Theatre: Play is a devastating retelling of the injustice suffered by Armstrong and the Guildford Four
Beauty & the Beast review: On the way home, younger audience members re-enact scenes. There’s no higher recommendation
Alan Hughes and Karl Broderick’s interactive pantomime, directed by Simon Delaney, features the promising Caoileann Woodcock as Belle
Mary Poppins review: A practically perfect masterclass in storytelling for the stage
Theatre: This thrilling Cameron Mackintosh-Disney show capitalises on PL Travers’s original story, which has so much more to offer than the films
A Streetcar Named Desire review: Hot and bothered in New Orleans
Theatre: Cathal Cleary’s lucid production features a pleasingly young cast, including an impressively fluid Eavan Gaffney as Blanche DuBois
Red Riding Hood: Everyman’s warm-hearted panto sparkles with exuberance
Theatre: Grace O’Halloran, the production’s 11-year-old star, has an immediate, unforced rapport with the young audience
Cinderella: Cork Opera House puts on a spectacular, enchanting pantomime
Theatre: Megan Pottinger brings distinction of style to tile role
It’s Always Your Bleedin’ Own: A swooning comedy for Dublin after the riots
Theatre: Ericka Roe is note perfect in Thommas Kane Byrne’s fabulous version of Dublin’s inner city
Rigoletto at the Bord Gáis Energy Theatre: Excellent singing undermined by musical lapses and directorial miscalculations
Irish National Opera’s production of Verdi, featuring Michael Chioldi, Soraya Mafi and Bekhzod Davronov, is hampered on opening night
Emma review: Agreeably quirky take on Austen shakes the story’s structure a little too vigorously
Theatre: Toni O’Rourke plays Emma with gusto, and Hannah Mamalis is hilarious as Harriet. Despite some narrative overreaching, you’ll probably leave happy
Peter Pan review: Gaiety panto takes off with dizzying ensemble numbers and breathtaking effects
Theatre: The annual extravaganza, written, choreographed and directed by Daryn Crosbie, features terrific performances from the Billie Barry Kids
The Dead review: James Joyce’s tragicomedy wraps around the audience in a hugely engaging, immensely accomplished evening
Theatre: Marty Rea and Maeve Fitzgerald star as Gabriel and Gretta Conroy in Louise Lowe’s promenade staging of the beloved Dubliners story
Rapunzel at the Helix, Dublin, review: strong storytelling and effortless inclusivity
Theatre: There are no special effects, no grand coup-du-theatre, but there are oodles of old-fashioned charm
Suspect Device: The poignant story of Irish trans bus driver Wilma Creith
Theatre: Staged in a vintage Ulsterbus, Raphaël Amahl Khouri’s high-concept play chronicles Creith’s difficult transition as she found her true self
Everything Falls review: Family care presented as a wearying, compassionate dance
Theatre: Shaun Dunne and Brokentalkers’ collaboration portrays the challenges of looking after a partner with a long-term illness
Sugar review: Amiable amble through a factory worker’s life could do with more theatrical spice
Michael Patric’s play misses the opportunity to pull the drama of the end of Ireland’s sugar industry into the story of its craic-loving factory worker
The Borrowers review: Gate’s Irish-set adaptation is solid good fun for the whole family
Mary Norton’s story will entertain children while adults can convince themselves of its literary status
Mother Courage and Her Children review: A darkly comic road trip through a Europe at war
Theatre: Sandra O Malley delivers a career-defining performance in Blue Raincoat’s meticulous production of Bertolt Brecht’s 1941 play
The Cure and After Luke: Cónal Creedon double bill shows this writer’s gift for bringing light into dark places
Theatre: Al Dalton directs Ciaran Bermingham in The Cure. Leon Danza directs Niall Holland, Simon McKeon and Mike O’Dowd in After Luke
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