A Moon for the Misbegotten review: Virtuoso performances power an often sublime Druid production
Dublin Theatre Festival 2026: Eileen Walsh, Lorcan Cranitch and Marty Rea excel under Garry Hynes’ direction
Lourdes! The Musical: An impressively complex tale of shame
Dublin Theatre Festival 2026: Xnthony is a long-time cabaret subversive. Rarely has he been sentimental
Meredith review: Dramatic temperature could be dialled up a notch in comic study of familial dysfunction
Dublin Theatre Festival 2026: The stakes never seem particularly high in Annabelle Comyn’s brisk 90-minute staging
Animals review: Blindboy’s full-scale theatrical debut is a bit of a loose baggy monster
Dublin Theatre Festival 2026: Abbey production has a thoughtful, accomplished first half, but then it loses focus and coherence
Heroes of Tomorrow review: What does ‘tarnished’ money do to art? Brokentalkers try to find some answers
Dublin Theatre Festival 2026: What lingers is not grand declarations of artistic purpose but the quieter channels through which conviction travels
Cyclone review: Who was the real Billy Warren? Was he an IRA gunrunner? The picture is still hazy
Dublin Theatre Festival 2026: Anu’s portrait of the boxer has only a patchy historical record to draw on. It might benefit from more dramatic licence
Hysterically Shopping! To Some Sort of End review: This critique of consumer culture is a tough one to sell
Dublin Theatre Festival 2026: The actors put in a commendable effort, but the script of this pop opera lets them down
Radio Bette, minus Ruth Negga, opens Dublin Theatre Festival with deadpan drollery
Dublin Theatre Festival 2026: As Bette Davis in All About Eve, Marcus Amaglo has an air of imperious dignity while also bringing out the ageing star’s vulnerability
West Meath Gothic at Dublin Fringe is everything a fringe show should be
Dublin Fringe Festival 2026: An old-time radio is Kate Finegan’s foil in this captivating aerial dance show
Saoirse at Dublin Fringe: A charming Gaeltacht musical with superb vocal performances
Dublin Fringe Festival 2026: This Irish-language production hinges on a sweet coming-of-age romance at an embattled coláiste
Matilda the Musical in Dublin review: Still endlessly inventive, still an easy five stars
In the RSC’s production, a tireless cast bring a perfectly balanced mix of grotesquerie and goodness to Roald Dahl’s cautionary tale
By Sara Keating
Saving for a Helicopter at Dublin Fringe: Powerful one-woman account of hereditary illness
Dublin Fringe Festival 2026: Gráinne Curistan carries the audience through a series of linked anecdotes and emotional hairpin turns
By Tom Lordan
Hard Mouth Show & Tell at Dublin Fringe: A world looking past women with endometriosis
Dublin Fringe Festival 2026: In this unsettling work, a male critic only sees what he wants to see
Trolley Boy at Dublin Fringe: Hollow consumer culture questioned through dance
Dublin Fringe Festival 2026: Contentment is not stacked on shelves in Diarmuid Armstrong Mayock’s supermarket dreamscape
Pretty Vacant at Dublin Fringe: Five-star masterclass about exploitation of the Liberties
Dublin Fringe Festival 2026: Musical satire staged in city’s oldest neighbourhood dispels any fears of disconnect with local area
Muster at Dublin Fringe is a swooning play about releasing locked-up male emotion
Dublin Fringe Festival 2026: Whirling verses reach incandescent finale in this eloquent work
Dead in Here at Dublin Fringe: Gen Z dread looms in admirably sly work
A group of friends escape to a country estate and try to party like it’s 2019
Daddy Issues at Dublin Fringe: Women carry clones of Collins and Lincoln in clever comedy
Dublin Fringe Festival 2026: Even the slapstick has a point to it in Brigid Leahy’s high-concept play
By Harry Higgins
The Act of Existing at Dublin Fringe: Who dances first, Ben or Bobbi? The audience decides
Dublin Fringe Festival 2026: Crowd has the power to be merciful in this interactive dance theatre
Diversity Training at Dublin Fringe has legs as an idea but the execution is undercooked
Dublin Fringe Festival 2026: Show’s most interesting moments are interactions with the audience
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