Bird director Andrea Arnold on Barry Keoghan: ‘I thought he had the most incredible face. Wow. What a man’
The English film-maker talks about tough shoots, her working-class background and working with Irishmen Keoghan and Robbie Ryan
The English film-maker talks about tough shoots, her working-class background and working with Irishmen Keoghan and Robbie Ryan
The US director used to be one of indie cinema’s best-kept secrets. Now his funny, sexy, action-packed new film is frontrunner for the best-picture Oscar
Sean Baker’s Palme d’Or winner doesn’t waste a single one of its 140 minutes. No wonder it’s the favourite for the best-picture Oscar
The French-Senegalese film-maker won this year’s Golden Bear in Berlin for her breathtakingly imaginative new release
‘Grey areas make for great cinema,’ director Cédric Kahn says about the Pierre Goldman case
Chinese director Wei Shujun was surprised to hear that his critical hit at last year’s Cannes film festival was being viewed as an American-style murder mystery
If you thought their Oscar-winning collaboration Poor Things was unconventional, wait for the full-throttle madness of Kinds of Kindness
The French press have found a new auteur hero in the American director of a 1980s-tinged film about a wilder kind of childhood
What comes after Bride, Son, Ghost and a meeting with the Wolfman?
A volley of superb late entrants, including Anora and All We Imagine as Light, created one of the closest races in decades
Donald Clarke: Cannes film festival has gone wild for the biggest star of 1995. Will she build on the success? What does history tell us?
Kinds of Kindness, latest collaboration between Dublin’s Element Pictures and Yorgos Lanthimos, scoops award for Jesse Plemons’s performance
Reviewer Tara Brady has her pick for the Palme d’Or and Seán Baker miraculously resurrects the screwball comedy
Ali Abbasi film starring Sebastian Stan and Jeremy Strong zones in on a twisted early Trump mentor
Cannes Diary: First three-hour instalment of Costner’s old-school western is confounding; Kinds of Kindness may be Yorgos Lanthimos’s weakest film
Donald Clarke: At Cannes, be prepared for often humdrum occasions to turn into the most surreal and uncomfortable events
Cannes diary 2024: Meryl Streep ‘didn’t quite nail’ the Australian accent and Megalopolis staggers its way to nowhere worth going
Film showcases director Andrea Arnold’s gift for artful shepherding of apparent chaos, while allowing new and surprising elements
Test your movie mastery with our 2024 Cannes film festival special quiz
Cannes Diary: Juliette Binoche was choked up, Meryl Steep was classy and Greta Gerwig didn’t hold back
From the unstoppable Irish to the return of Mad Max, we have all the inside info from the Côte d’Azur
Film director Marco Bellocchio on Edgardo Mortara, a ‘baptised’ Jewish boy taken from his family, and scandal that weakened power of pope
The octogenarian auteur’s fourth feature is a languorous consideration of time, memory and cinema
Three Element Pictures productions will feature in official selection, with Yorgos Lanthimos’s Kinds of Kindness competing for the Palme d’Or
Whether in Nobody Knows, Shoplifters or Like Father, Like Son, the Japanese auteur can dramatise children’s inner lives like no other film-maker
He missed out on a Poor Things prediction this year – how successful will he be for next year?
Donald Clarke: Her Eras Tour became the highest-grossing concert film ever. She was Time magazine’s person of the year. But another woman had an even better year
Eye surgery curtailed the German director’s appearances recently but he’s back on track with two films, Anselm and Perfect Days
It is often observed that no one knows what a marriage is like except the two people in it, but in Justine Triet’s film that number may be too high
The director of the remarkable Anatomy of a Fall likes to work on the boundary where fact and fiction blur into one another
‘Nobody really knows how life is here in Romania, and especially cultural life. There are still people believing that we speak Russian or that it’s very cold’
The director on his new film, The Old Oak, set in a ravaged mining community in northeast England, and why he may wrap up the film-making at 87
Japan’s master of outrageous tragedy on incorporating sign language into new film Love Life, complicated humans and his goal of depicting life as it is
Hollywood stars may be missing but competition will be fierce for the Golden Lion
Crosswords & puzzles to keep you challenged and entertained
Full general election coverage including analysis and results for all 43 constituencies
How does a post-Brexit world shape the identity and relationship of these islands
Weddings, Births, Deaths and other family notices