The Dublin International Film Festival gets off to an energetic start

After a fully online event last year, the city’s cinemas are open again for a festival stuffed with Irish and international features

The Masque of the Red Death – Rediscovering Poe through prism of Covid-19

Restoration of 1964 Corman adaptation confirms continuing relevance of film and source

Mia Goth: ‘I always felt it’s plan A or I’m f**ked’

The actor on staying in character and why starring in Emma is a rite of passage

Bertolucci’s legacy marred by ugly stories about ‘Last Tango’

Oscar winner Bernardo Bertolucci was one of Italy's great post-war directors

Suspiria: The dullest coven on the face of the Earth

Review: Remake of Dario Argento’s 1977 classic does nothing with its many good ideas

The 100 greatest foreign-language films revealed

Only four out of the top 100 films directed by women in BBC poll of critics

The best horror movies of all time – see them if you dare

The silver screen’s spooky best from the last 100 years of cinema

Thom Yorke: Suspiria review – A long, testing and impressive experience

Bob Dylan’s ‘Blood on the Tracks’ as a rock opera? Jesus Christ...

Donald Clarke: The Who’s ‘Tommy’, ‘Quadrophenia’, Pink Floyd’s ‘The Wall’, Lloyd Webber. Enough

Irish films in the mix at Venice and Toronto festivals

The Favourite from Yorgos Lanthimos will compete for the Golden Lion at Venice and John Butler’s Papi Chulo will premiere at Toronto

‘Why do people want to see other people’s penises?’

Italian director Luca Guadagnino's new film, ‘Call Me by Your Name’, is surprisingly coy despite its notorious peach-masturbation scene

The strange, true story of Ghana's modern-day camps for witches

For her new film, Rungano Nyoni spent more than a month in a real-life witch camp, that works as a tourist attraction, labour camp and women’s refuge

Video

Prevenge review: Very nasty, very funny, very pregnant

Sightseers co-creator Alice Lowe delivers a dark and messy essay on gestation - and it's an unsettling, satirical gem

Ennio Morricone, Sergio Leone and the elusive Oscar

Ennio Morricone revolutionised cinema music but has never won an Oscar for one of his scores. He’s up again, for ‘The Hateful Eight’. Does he care? Just a little