Divine Madness review: Where the voice starts dancing and the body starts singing
Meredith Monk’s credo is at the heart of John Scott’s dance-based exploration of the physicality of the operatic soprano
Meredith Monk’s credo is at the heart of John Scott’s dance-based exploration of the physicality of the operatic soprano
John Scott’s blends choreographed madness with an 83-year-old calming presence
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