Berthe Morisot: ‘I have sinned, I have suffered, I have atoned’
A fine new show re-establishes the painter as a leading impressionist but miscasts her as a feminist icon
State papers: Ireland has ‘moral claim’ to paintings, UK’s National Gallery admits
Paintings at centre of 100-year-old row are part of Hugh Lane’s contested will
Citizen Lane: Art and the creation of the Irish nation
Hugh Lane’s contribution to cultural history is the focus of Thaddeus O’Sullivan’s new film
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