Director Seán Holmes had never seen The Plough and the Stars staged – until his current version went up at the Abbey Theatre

Stars of ‘Love/Hate’ reunite on stage, but can’t see crime drama returning to screens

Abandoned by their creator and alone in a random world, the characters in Conor McPherson’s new play have more questions than answers

‘Unsung heroes’ are at heart of campaign for one of Ireland’s top grocery brands

The harrowing ’A Girl is a Half-Formed Thing’ is hard to shake off

Nevermind Mark O’Rowe’s return to dialogue, does his family tragedy for the Abbey signal a new commitment to realism? Or is anything here as it seems?

‘How to Keep an Alien’ wins best production award

It fizzes, it cracks, it whips and raps: Dublin free style

In a year of 1913 memorials, can a play this derivative, or a production this earnest, be taken seriously?

The third and final play for Fishamble by Sean McLoughlin has a gathering storm that is simply dispelled

An exploration of the perceived morality of extreme positions pits religious idealism against pragmatic realism within a single family unit