Deadly Cuts: A blast from Irish cinema’s past
Film review: Don’t expect subtlety from this broad Dublin comedy
Herself: Delayed portrayal of housing crisis loses none of its relevance
Writer-star Clare Dunne shines in this irresistible drama
Iftas: Normal People arrives too late for ‘virtual’ awards
Jessie Buckley and Niamh Algar among nominees for Irish Film and TV Awards
The Cherry Orchard: Druid’s Hiberno-Russian cocktail spills over
This staging of Tom Murphy’s Chekhov adaptation should resonate more with contemporary Irish audiences
Ian-Lloyd Anderson: On My Culture Radar
Actor on The Irishman, the early comedy of Bernie Mac and acting talent of Edie Falco
Sundance Film Festival: Irish film Herself wins rave reviews
Performances praised in film about abused woman caught up in the Irish housing crisis
The Beacon review: Absorbing, intelligent and grimly funny
Fascinated with ideas of art and ambiguity, Nancy Harris’s play sees long hidden secrets dredged up
In Our Veins review: Story of good people in hard situation is pleasantly sentimental
Lee Coffey brings a century of working-class Dublin to life through one dock worker
‘Close to death? I got tied up in an armed robbery when I was 24’
In Conversation: Emmet Kirwan and Ian Lloyd Anderson
Come On Home: A tale of sexual repression and provincial suffocation
Review: Phillip McMahon's story of a returning emigrant offers few innovations but vivid performances and resonant dialogue
Dublin Oldschool: Dave Tynan’s wordy, puzzling, plotless film
The screen fizzes with the talent of some of Ireland’s best actors. But it’s not enough
Forty-two films to catch in the cinema this summer
Incredibles 2, Ocean’s 8, Jurassic World and Mamma Mia!: Here We Go Again
‘Dublin Oldschool’: The making of a summer street movie
Emmet Kirwan and Dave Tynan are shooting a low-budget film in Dublin's crowded city centre
The Plough and the Stars review: The poverty of our era put centre stage
The Abbey’s latest production of Sean O’Casey’s Easter Rising drama brings his characters into the light of the present. During the centenary of the event, has it made a familiar play any more illuminating?
‘People might be cross that some English bloke has desecrated a classic’
Director Seán Holmes had never seen The Plough and the Stars staged – until his current version went up at the Abbey Theatre
Róisín Meets . . . Laurence Kinlan and Ian Lloyd-Anderson
Stars of ‘Love/Hate’ reunite on stage, but can’t see crime drama returning to screens
DTF Review |The Night Alive: A comedy of desperation, in the gritty sanctuary of a Dublin flat
Abandoned by their creator and alone in a random world, the characters in Conor McPherson’s new play have more questions than answers
No snoozing for bakers in new Brennans Bread ad
‘Unsung heroes’ are at heart of campaign for one of Ireland’s top grocery brands
Peter Crawley’s cultural highs and lows of 2014
The harrowing ’A Girl is a Half-Formed Thing’ is hard to shake off
Review: Our Few and Evil Days
Nevermind Mark O’Rowe’s return to dialogue, does his family tragedy for the Abbey signal a new commitment to realism? Or is anything here as it seems?
The Risen People
In a year of 1913 memorials, can a play this derivative, or a production this earnest, be taken seriously?
The Bruising of Clouds
The third and final play for Fishamble by Sean McLoughlin has a gathering storm that is simply dispelled
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