The Cherry Orchard: Druid’s Hiberno-Russian cocktail spills over
This staging of Tom Murphy’s Chekhov adaptation should resonate more with contemporary Irish audiences
Pale Sister review: Colm Tóbín’s play more eager to meet a reader than a spectator
While there is a subtlety in Tóbín’s text of this reimagined Antigone, Lisa Dwan’s stentorian performance conveys more thunder than thought
King of the Castle review: An overlooked work steps into the canon
Druid’s production picks away at the tensions of rural life with a savage eye
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