Delta surge in US a big test for schools as classrooms reopen
Politicisation of debate over coronavirus measures undermines safe return to school
Des Bishop apologises to Traveller community for comments in interview
Comedian said Travellers ‘drink a lot’ and are ‘very paranoid’ during a 2018 interview
Dún Laoghaire home of renowned acting mentor Betty Ann Norton for €1.5m
Belcamp, a four-bedroom Georgian house in excellent condition, is full of theatrical flair
Theatre-training legend Betty Ann Norton dies in Dublin
Co-director of the Betty Ann Norton Theatre School helped to launch many acting careers
The Last Right: a very Irish ‘Irish film’
Review: A likeable salute to a Magic Ireland we don’t see much anymore
Prisoners of the Moon: The ‘100% Nazi’ behind the Moon landing
Review: V2 rocket scientist Arthur Rudolph was spirited to the US to work on the space programme
Leitrim-based film director to give a different perspective on moon landing
‘Creative documentary’ tells of Nazi rocket scientist who played key role in 1969 event
Lucy Kellaway: A masterclass in calling bullshit
A memo on strategy from the president of revenue at Condé Nast is a prime example
‘Scary’ Saoirse Ronan ‘takes no prisoners’ on the stage, says Ciarán Hinds
Tony-nominated Gabriel Byrne attends Irish at Irish Arts Center fundraiser, while Paul Muldoon and Jim Norton call for a separate Arts Department
Saoirse Ronan makes a malevolent jump from screen to stage in The Crucible
Ronan’s theatre debut is with Ciarán Hinds and Ben Whishaw in a formidable production directed by Ivo van Hove
‘Insurrection’: Looking at 1916 through the eyes of 1966
RTÉ’s flagship Easter Rising series is being reshown for the first time in 50 years
Television: ‘River’ is pitch perfect. But please don’t bring it back
Review: ‘River’, ‘Liveline: Callback’, ‘True North: Will’s Kitchen’
Film review: Jimmy’s Hall
Life in the Free State was no jape, according to Ken Loach's affecting, beautifully shot but somewhat underpowered drama
Ken Loach: Still a right old leftie
As a cinematic and political firebrand, Ken Loach has been a force for good for five decades. His new film, ‘Jimmy’s Hall’, tells the story of the first Irishman deported from his own country. But is Loach really ready to hang up his megaphone? “Being realistic, that’s as ambitious as you can be,” says the 77-year-old director
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