Kathy Prendergast

Do we really need an exhibition of women’s art? Yes

The Elliptical Affinities exhibition at the Highlanes Gallery gives us a peek at what a differently-centred world might look like

Céad míle fáilte? The true meaning of hospitality

From land of the thousand welcomes to direct provision, an exhibition explores the idea through art

We’re all deeply weird and 'normal' can be a crushing concept

The visual art at this year's Galway International Arts Festival has lots of odd junctures, strange characters and weird journeys

‘I was really interested in hairy ladies. The deviance’

Artist Niamh McGuinne on combing through the rich and strange history of hair

Miranda Blennerhassett wins RCSI Art Award

Blennerhassett won for an ingenious piece made with wallpaper on a gallery stairwell

Five shortlisted artists for RCSI Art Award announced

Varnishing Day marks opening of this year’s RHA Annual Exhibition

‘Are we going to let them burn us at the stake again?’ Jesse Jones’s bewitching art

Jones’s idea for Ireland’s entry into the Venice Biennale was to create a fictional lost past where women held power

Daphne Wright delivers all the discomforts of home

‘Emotional Archaeology’ is rooted in domestic life, but quietly unsettling

What happens when you spend most of your life photographing one city

Josef Sudek was known as the poet of Prague and after returning to the city after the first World War, he never left it again

Your favourite artwork from 2016

To celebrate the close of the Modern Ireland in 100 Artworks series we asked you to pick your favourite artwork of last year

Ireland’s most magnificently controversial art exhibitions

ROSC events were extraordinarily ambitious but to reprise them would be a mistake

Modern Ireland in 100 Artworks: 1995 – City Drawings, by Kathy Prendergast

Visual art: Breeders in nature, all teeth and claws

The German artist Vera Klute does not take a cosy view of motherhood and family

A bus brings Mad Max to Carlow | Visual Arts round-up

Bedwyr Williams shows us a broken-down future; while Gypsy Ray’s photographs display great warmth