Björn Andrésen: ‘I was extremely uncomfortable’
The Most Beautiful Boy in the World is a new documentary about the pressures imposed on the young star of Death in Venice
Keith Jarrett
Keith Jarrett: ‘I was paralysed. I don’t feel right now like I’m a pianist’
The world-renowned musician confronts a future without piano after suffering strokes
Gwilym Simcock: ‘I have always struggled with performance anxiety’
The classically trained Welsh jazz pianist is lauded for his fearless musical explorations, but recording his latest album at home freed the 38-year-old from pressure
Nicolas Roeg: the director who took the familiar and made it strange
Few directors have made so many films that touch on the status of masterpiece
In the Trump era, artists need to do more than make protest speeches
Steve Bannon – Trump’s brain – believes in a single US culture. His white-nationalist ideology gives that notion some sinister echoes
Fintan O’Toole's 2015: The importance of being inconclusive
I’m not sure we learn anything from the arts – except that we need them more than ever
Manfred Eicher: the man who made ECM on working with Keith Jarrett, Steve Reich and Arvo Part
Since 1969 Manfred Eicher has had a singular influence on jazz through his ECM label. So what happens in a recording session with the enigmatic producer?
Second Opinion: Jarrett concert gives gerontological food for thought
Concerts 30 years apart offer glimpses of changes age brings in oneself and others
Donald Clarke’s cultural highs and lows of 2014
The Irish films of 2014 were ’Out of Here’ and ’Frank’
Charles Lloyd’s tradition of jazz, truth and love
Lloyd’s grandfather, born the son of slaves, refused to be cowed in a time of deep racial tensions in the US, and something of that steely confidence was passed down to the Memphis great
Is jazz dead? It smells just fine to Brad Mehldau
The pianist doesn’t believe in fidelity to an ensemble or genre, having been influenced by classical, pop and rock, but jazz is the default lens through which he views his art
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