Kévin Coquelard: ‘I loved the madness. You could just throw yourself on the floor and scream’
The formally trained performer of Gutter found a freer way to be creative after working with Irish choreographers
Kévin Coquelard
Dublin Dance Festival 2019: stunningly artistic and utterly uplifting
Dance and technology combined to show the benign and darker sides of humanity
Näher... Closer, Nearer, Sooner review: A lithe interplay of recollection and retrospection
Dublin Fringe Festival: Liz Roche deftly celebrates the Goethe-Institut’s new building
Inventions review: lingering hope resides in self-desctruction
John Scott’s blends choreographed madness with an 83-year-old calming presence
‘It’s still a crazy John Scott piece’: a veteran choreographer on his new work
Irish Modern Dance Theatre’s Bach-inspired ‘Inventions’ premieres at Kilkenny Arts Festival
Review: ‘Man At The Door (Number 54)’ and ‘Pilgrimage’ at Cork Midsummer Festival
The common theme at the Sunbeam Bingo Hall and Sirius Arts Centre performances was personal identity
Dublin Dance Festival: Female choreographers step up
Female choreographers and their dancers possess the hearts and minds of audiences
Dublin Dance Festival: Striptease, Extraterrestrial Events, Deep Dish and Displacement
In a world of where trust in truthful speech is decaying, how much truth resides in the body?
John Scott: ‘I’m still stimulated, inspired and angry with what is happening in the world’
For 25 years John Scott has been at the forefront of Irish dance. When it comes to making work, ‘All I need from a dancer is an open mind and generous spirit’
Lear review: a perfect balance of movement and text
John Scott and Valda Setterfield combine to dazzling effect, with warmth and humour
Feathers review: Dancing in a vast Beckettian anywhere | Tiger Dublin Fringe
A great collaboration between composer Mel Mercier and choreographer John Scott
Actions: An Evening of Men in Motion
It may lack focus, but this performance of past dances side by side is razor-sharp
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