Passenger locator – Frank McNally on a century of poputchiks, Mitläufers, and fellow travellers
An Irishman’s Diary
Agnes O’Casey looks like she is going to be a star
Television: Sean O’Casey’s great-granddaughter is riveting in BBC’s Ridley Road
Criticism of The Wind that Shakes the Barley reflected British unfamiliarity with conflict, says historian
British media ‘reluctant’ to accept army engaged in brutal campaign in Ireland
Budd Schulberg: The screenwriter who made Marlon Brando a star
He spent a weekend with F Scott Fitzgerald, saw Nazi Germany and wrote On The Waterfront
Bella Heathcote: ‘It was fun getting to be the Neighbours school b*tch’
Australian actor on LA, auditions, shirts in her car boot and her latest film Relic
Sporting Upsets: When 17-year-old Boris Becker became the new boss of Centre Court
The 1985 Wimbledon men’s final introduced a new tennis superstar to the world
Sporting Cathedrals: How the Olympiastadion overcame history
The stadium still stands as one of the most intact physical symbols of the Nazi regime
Women Make Film: A history of women directors, directed by a man – but in a good way
Review: Mark Cousins’s epic documentary is a lengthy journey worth making more than once
Protesting against art, even an anti-abortion film, is not a good look
Donald Clarke: Unplanned is a laughable atrocity but I’ll be with the other Centrist Dads
GAA always keenly aware of the big picture regarding its games
The presentation of Gaelic games from short films in the US to TV deals of the modern day
ESB unveils treasure throve of previously unseen films from the past
Footage released to celebrate the 90th anniversary of ESB
Trump learned art of ‘riling up crazies’ from Roger Ailes
Mastermind of Fox News hate-breeding techniques provided playbook for president
Leaving Cert history: Critical thinking skills essential on paper with good choice of topics
Students asked whether Lemass was a strong leader in challenging examination paper
It’s sensible not to screen ‘Gone with the Wind’ in Tennessee
A Memphis cinema has decided the classic film is offensive to African-Americans. They’re right
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