Tornado review: A singular, if rarely easy, watch about double-crossing rogues on the rampage
John Maclean returns to the austere storytelling that defined Slow West, his well-regarded debut, in a film of stark silences and oppressive atmospherics
John Maclean returns to the austere storytelling that defined Slow West, his well-regarded debut, in a film of stark silences and oppressive atmospherics
Cannes diary 2024: Meryl Streep ‘didn’t quite nail’ the Australian accent and Megalopolis staggers its way to nowhere worth going
Film showcases director Andrea Arnold’s gift for artful shepherding of apparent chaos, while allowing new and surprising elements
From the unstoppable Irish to the return of Mad Max, we have all the inside info from the Côte d’Azur
Oppenheimer wins seven awards including best director and best film, while Irish-produced Poor Things takes home four statuettes including best actress for Emma Stone
The sought-after Dubliner on working with Ken Loach and Andrea Arnold, the perils of making one-shot films, and his anti-TV mindset
Potter explores the fluidity of thought in her new movie about a father and daughter dealing with dementia
Jessie Buckley and Niamh Algar among nominees for Irish Film and TV Awards
Saoirse Ronan should get a nod for Little Women. There are few other options for the Irish
The Decade in Culture: The most impactful books, series and performers of 2010-19
Dublin director of photography Robbie Ryan wins for Best Cinematography
Review: Scarlett Johansson has never been better and Adam Driver is equally good in Noah Baumbach’s breakup tale
Review: Film shines a light on the grim reality of gig economy workers
The director who has spent 50 years poking the establishment on Brexit, right-wing broadcasters and the gig economy
Review: Paul Duane documents Drummond on his latest quest to confuse and bewilder
Toronto film festival: Opening weekend also included Knives Out, Greed and Sea Fever
There was lots of comedy and a little Celtic misery at the famously bibulous festival
The Oscars body has invited 842 new members: 50% female, 29% people of colour
Extra Ordinary, Never Grow Old, Animals and Supervized on bill for 31st festival
Best of Irish: In advance of St Patrick’s Day, we celebrate leading lights of our creative industries
Green Book is best film, Bohemian Rhapsody wins most. Glenn Close overlooked for 7th time
Where can you watch the ceremony? When does it start and end? Who are the favourites?
The Favourite may be overlooked for the big prizes with Roma likely to steal the show
Donald Clarke: This week’s Oscars news reflects the common, idiotic view that cinema is little more than a type of flat theatre that you can now watch on your telephone
Donald Clarke: The academy has been tying itself in knots trying to reverse a decline in ratings
Irish-produced film The Favourite and Netflix’s Roma lead the way with 10 nominations each
Yorgos Lanthimos works his trademark colours into a fantastically dark picture
And Element Pictures scoop 10 prizes for ‘The Favourite’ at British Independent Film Awards
Olivia Colman wins best actress for performance in Yorgos Lanthimos’s Irish production
He first came to prominence in TV crime drama Love/Hate. Now he’s making movies with Christopher Nolan, Nicole Kidman and Colin Farrell. But in his heart he’s still a lad from inner-city Dublin
Cannes 2017: Noah Baumbach's star-studded latest for Netflix is a welcome addition to his great comic oeuvre
Irish film ‘The Killing of a Sacred Deer’, starring Nicole Kidman and Colin Farrell, is one of the favourites for the Palme d’Or
Ronan got to see four of what they call The Big Five – the ex-pat Irish criminals the gordaí would most love to put behind bors
Loach weaves many moments of quiet brilliance into his Palme D’Or-winning polemic about the UK’s Kafkaesque welfare system
Crosswords & puzzles to keep you challenged and entertained
How does a post-Brexit world shape the identity and relationship of these islands
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