Cannes Diary: Juliette Binoche was choked up, Meryl Steep was classy and Greta Gerwig didn’t hold back

It’s shaping up to be Oppenheimer’s year at the Academy Awards. What about Barbie? And could Yorgos Lanthimos’s Poor Things also do well?

In the lead-up to International Women’s Day, we asked students from St Louis High School in Rathmines, Co Dublin, to discuss the women who inspire them

Were Barry Keoghan and Andrew Scott ever in the race?

Yorgos Lanthimos’s Poor Things scores a huge 11 nominations, a record for an Irish-produced film

Bafta nomination system has rendered connections between the US and British academies less robust than was the case

Actor ‘gutted’ to miss out on role in hugely successful film

Did Barry Keoghan edge out Andrew Scott? And might Paul Mescal’s chances at the Oscars be revived?

All the winners from the 81st annual ceremony in Beverly Hills, California

Cillian Murphy triumphed over Barry Keoghan, nominated for Emerald Fennell’s Saltburn

‘I didn’t feel represented in the Barbie narrative. It felt like a world that wasn’t accessible to me,’ says one of the stars of Greta Gerwig’s 2023 film

Donald Clarke: Her Eras Tour became the highest-grossing concert film ever. She was Time magazine’s person of the year. But another woman had an even better year

Greta Gerwig’s smash hit has amassed €8.85m, making it Ireland’s highest-grossing movie, as it continues to break records worldwide

Greta Gerwig becomes first woman to direct a billion-dollar blockbuster solo as Barbie hits landmark

Radio: Sharon Magennis, of Largy College in Clones, told Audrey Carville about the loss of two ‘beautiful girls’

It has no point of view, no message and no understanding of who its audience is. If this is Hollywood’s best shot, the big screen is in trouble

There are spoilers for Greta Gerwig’s Barbie here, so don't read until you've dressed in pink and gone to see it

The Light House cinema in Dublin and Pálás in Galway annihilate records with busiest weekends ever

Barbie’s would-be boyfriend has a less fragile ego than the owner of the newly rebranded social media app

Does the Mattel-backed film succeed in its attempt to be meta and funny while still being politically astute?